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See Collecting Family Stories for an assortment of effective interview questions to gain stories from older family members.Ĭopy a folktale from a printed anthology and cut it up into sections or scenes. Have students find out about the history of their families as far back as anyone can tell them. Have students collect true tales about the "old days" by interviewing older relatives. Tell the story of the town from the fictionalized point of view of a resident who actually lived. Include local issues of the time in the story. Have student create an original historical fiction:ĭescribe the town from the point of view of a fictitious citizen who might have lived in the town long ago. Have students find out when the town was founded and by whom? Visit a local historical society to see old photographs or artifacts. Are there any interesting people or legends to which the street names refer? Are there any local places in town about which people tell stories? Any haunted houses? Have students find out how the streets were named. Have students collect stories about their town from older people. Try recording the story circle on a tape recorder for later listening. The story could begin with a pre-selected title or subject to guide the improvisation. Next person adds to it and so on until the tale comes to a resolution. The next person picks up the story thread and continues it, then stops. One person begins a tale and stops after a few sentences. Listen to records and then have students retell the story in the song in their own words. Folk ballads to contemporary songs often suggest a larger tale. The show could have a magazine format, featuring interviews with teachers, student stories or poetry, or discussion of the latest school issues.įind and learn songs which tell a story. Use a tape recorder for rehearsal so that students can hear how the program will sound. Using the PA system like an old time radio show, have classes create a story broadcast at a special time each week for the whole school to hear. The treasure hunts can go on simultaneously and, when each class has found the other's story, they confirm it by assembling it, learning the plot and sending representatives to retell it, or to act it out as a skit to the other class. Two classes can trade treasure hunts by putting the stories on two different-colored cards. Groups of students must find the cards and assemble them in correct order. A treasure map showing the exact location where all the cards are hidden, is given to another class (Or, with clues, one card can lead to the next). Students hide the cards out of sequence throughout the school or classroom. The plot is simplified into a sequence of events that can be transcribed onto cards with short sections of the tale on each. All the classes then gather to hear the result of their group effort read out loud and to see the painting, that inspired the story.Ī class selects a well-known fable or folktale. The process is repeated including as many classes as possible until the tale seems finished. The paragraph is then sent on to another class which reads the first paragraph and adds on another. Looking at the painting for inspiration, the class constructs the first few sentences of a tale through group discussion and suggestion. According to legend, she told stories in this way to a sultan for 1001 nights, which is why the stories of the Arabian Nights is also called "1001 Nights."Ī class selects a classical painting. Stories could be selected from the Tales of the Arabian Nights and told in this fashion, as in the style of Shahrazad, its great storyteller. The next day the story is completed and a new one begun and left open-ended at an exciting moment. This is a continuing storytelling session in which a story is begun and then left open-ended at a crucial point. If older students are sent to the younger grades, ask the younger grades to thank the storytellers with drawings inspired by their stories. When students feel confident, teams of three or four students at a time can then take their tales to other classes for a storytelling concert. Have students practice retelling folktales in their classroom. This collection of storytelling activities-developed by storyteller/author Heather Forest for her storytelling workshops with students, teachers, and librarians-can be expanded by educators into language arts lesson plans to support speaking, listening, reading and writing skills.ĭevising Plot Structures: Creating New Tales Story Arts | Storytelling Activities & Lesson Ideas Tags:xml to base 64 converter, base64 to xml converter, base 64 decoder to xml, xml base64 encode, base64 to pdf, decode xml base64, file to base64 converter online, base64 to json, xml to base 64 converter, base64 to xml converter, base 64 decoder to xml, xml base64 encode, More related searches, xml to base 64 converter, base64 to xml converter, base 64 decoder to xml, xml base64 encode, base64 to pdf, decode xml base64, file to base64 converter online, base64 to json Tools related to the xml. 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Unfortunately, this feature does not always work or shows up as not supported. That usually means you are already on your way and need to turn around to get your device back. These separation notifications only appear when you’re more than 300+ feet away from the device you left behind. Sadly, it does not work when you forget your Apple Watch! The good news is that with iOS 15 and watchOS 8 and above, Apple offers a Notify When Left Behind feature that does just that! This feature shows a separation notification on your Apple Watch, letting you know when you are away from your iPhone, AirPods, and other Apple devices so you can quickly turn back and get it.Īnd it works for other devices, like your iPad, AirPods Pro, AirPods (3rd generation,) AirPods Max, AirTag, or Find My network accessory when paired to an iPhone 12 or above. If only my Apple Watch alerted me that my iPhone or AirPods weren’t nearby before I was miles away! 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Just below the "Command" entry box are some pull down menu items that control how gedit interacts with your external scriptįor the 'Input' pulldown select 'Current Document'.įor the 'Output' pulldown select 'New Document' (I am really having trouble getting the external process to let go of the program being edited and need some help on this one - DF) The second part- "/home/dan/emc2-trunk/configs/sim/axis.ini" is the ini file that I used (axis in sim mode) The first part -"/home/dan/emc2-trunk/scripts/emc" points at the script that executes emc /home/dan/emc2-trunk/scripts/emc /home/dan/emc2-trunk/configs/sim/axis.ini $GEDIT_CURRENT_DOCUMENT_PATH &.in the 'commands' entry box place something like this- (your path will be different than mine- good luck). In the shortcuts entry you can give it a hot key - like one of the function keys or function keyħ. Click the 'New' icon and give it a name like 'emc'Ħ. now you need to add a way of launching Axis - 'Tools' and at the bottom of that 'External Tools'Ĥ. enable the 'External Tools' plugin (in the top menu bar- Edit/Preferences ? then the Plugins tab then check External Tools)Ģ. This might seem strange to consider when using an editor, but it gives one the ability to edit code and launch Axis instantly to see what the code is doing.ġ. One of the things that makes the plugins appealing is the ability to launch other programs. It has a plugin feature that makes it very handy to use for editing CNC code. Gedit-(the gnome editor that comes with stock Ubuntu systems) is really a lot more powerful than initially meets the eye. 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Throw all your fire based ammo at it, preferably with the slingshot or the flamethrower you earn from the bandit camp in The Cut. When all three of the smaller machines are out of the picture, it's time to focus on the Bellowback. Below you can scan and tag a Demonic Freeze Bellowback, a Demonic Scrapper, and two more watchers.ĭrop down into the tall grass and stealthily eliminate the Scrapper and watchers by using your whistle to lure them in. You can use your whistle to lure the other Watcher on this floor. Climb the stairs and climb the conveyor belt into the next area.ĭrop down and complete a stealth attack on the Demonic Redeye Watcher below. On the second level is another audio log. Go around to the other side of the red block and climb the ladder. In front and to the left will be an audio log that you can scan with your Focus. Upon entering the battery facility, head toward the red block straight ahead. 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When I was a kid I dreamed of games that had huge draw distances, where you could view the horizon in stunning detail to the point where it was a feature in and of itself. The new tech also features stellar haptic feedback support, which comes in handy when using the bow and arrow mechanic and (you guessed it) while climbing. Everything is incredible responsive and intuitively in reach. I mean it’s a literal fact that Move tech is multiple generations old, but it’s hard to describe just how much better the new control method is with Sony’s second iteration of VR. Folks, these are multi-generational leaps over the Move controllers. Speaking of feedback: the new PSVR 2 controllers are a standout bonus that I should mention (and will talk about more in the PSVR 2 hardware review). The whole adventure lasts around five or six hours - more if you enjoy messing around with all the random junk strewn about the game (playing musical instruments, or chucking plates against a wall to hear the crash). You’ll be taking down robot dinosaurs of all shapes and sizes (land, sea, and air) with your trusty bow and arrow - which, truth be told - never gets old due to the precision and haptic feedback involved. This is easily one of the best VR worlds ever made, up there with Half-Life Alyx.Įxploration is compounded by combat, all of which mostly funnels into linear paths and carefully-crafted fight locations. All this to say: I climbed everything I could in Call of the Mountain, just to see the view from up top. For many people, VR does make a huge difference when it comes to enhancing self-imposed challenges, and enticing players to explore more for little to no reward. As for myself, one of my favorite VR games is called The Climb, so I think I’m good here. Of course, there should be an actual game here at some point, and there is! A lot of it is climbing-based, which could be make or break depending on what your tolerance of the mechanic is. |
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